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The Widow's Vow by Rachel Brimble #Review #PublicationDay

  Today's historical fiction takes us to Victorian England and Bath. Published by Boldwood  today on December 16th, A Widow's Vow is the first in the Ladies of Carson Street saga series by Rachel Brimble.   From grieving widow... 1851. After her merchant husband saved her from a life of prostitution, Louisa Hill was briefly happy as a housewife in Bristol. But then a constable arrives at her door. Her husband has been found hanged in a Bath hotel room, a note and a key to a property in Bath the only things she has left of him. And now the debt collectors will come calling. To a new life as a madam. Forced to leave everything she knows behind, Louisa finds more painful betrayals waiting for her in the house in Bath. Left with no means of income, Louisa knows she has nothing to turn to but her old way of life. But this time, she'll do it on her own terms – by turning her home into a brothel for upper class gentleman. And she's determined to spare the girls she sa...

The Improbability of Love by Hannah Rothschild

The Improbability of Love was shortlisted for the Bailey's Women's Prize for Fiction, 2016.

    I found The Improbability of Love to be very entertaining, with a rich and colourful palette of characters and an over the top satirical look at the 'Art World'. This is Art with a capital A and summed up completely through the painting itself which is a first person narrator throughout the book and the most entertaining voice of all. Referring to herself as 'moi', the pretentious painting takes us back through her history and her previous owners, some of whom were illustrious. We know from the opening pages that the painting is about to be the star lot of an uber prestigious auction. We then go back in time to when Annie, a rather lonely young woman, finds the painting in a junk shop and buys it on an impulse, so starting off a chain of events.

    I did find it hard to connect with the story at first. There is a large cast of characters, all eccentric in their own ways, representing different parts of society. The author belongs to the wealthy Rothschild family and you do wonder if insiders within this super rich world recognise any of the characters depicted in the book. Nevertheless, it is an amusing read and a tongue in cheek look at the Art World and how paintings, as a commodity, acquire value. As we learn more about the painting as a 'lost masterpiece', we are given lots of information on social history, historical figures, food and art, but it all flows from the story. 

    This is a story which teems with detail and appropriately given the subject matter, it is strikingly visual. Despite its satirical tone and humorous look at culture and human nature, dark elements emerge as the plot develops and the painting as a reflection of civilisation suddenly becomes a symbol of something much darker. The story came alive for me at this point and although the first half of the novel was a little confusing as all the characters were introduced, I did find that as the story became more and more focussed on the twentieth century, I was totally hooked. 

In short: an entertaining world which dazzles but contains a black heart.

Thanks to the publishers, Bloomsbury, who sent me an e-copy of the book via NetGalley.
   

     

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