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Wartime Arrivals at Harbour House by Fenella J Miller #Review

  I am delighted to be on the tour to celebrate a new series by Fenella J Miller . Wartime Arrivals at Haebour House is the first in a historical fiction series which begins in July 1939, just before the outbreak of the Second World War. It was published by Boldwood Books on November 29th. London July 1939 Elizabeth Roby lives a content and privileged life in London with husband Jonathon and children, Emily and George. But with the outbreak of war, everything changes. Jonathon informs his family that they have to move from their smart London home to the riverside town of Wivenhoe and their new home Harbour House, where Jonathon will do his duty for his country as part of the Admiralty at the shipyards. But Elizabeth is devastated. How will she start a new life in a place she hardly knows, surrounded by strangers? And how will her children cope allowed to run wild in the countryside with urchins? Elizabeth is sure it will be a disaster! But with the threat of German bombs ha

Play: Pomona by Alistair McDowell




Play: Pomona by Alistair McDowell

Performed at the Royal Exchange Theatre, Manchester and directed by Ned Bennett



Pomona is a bleak and uncompromising look at life. It is a dystopian thriller set in the inhospitable  landscape of Pomona: an empty strip of wasteland which lies between Salford and Manchester. It is a black hole at the centre of the city.  The play centres on the search for lost people, who have disappeared or lost themselves, somewhere in the city. Pomona seems to be an area which is ignored no matter how unsavoury the events there might be.

The staging is as bleak as the story, with a metal grid at its centre. The action takes place in a series of staccato scenes, punctuated with blackness. They seem harsh and unconnected. The effect on the viewer is unsettling and jarring, like the story. There are numerous time lapses in the course of the action. My thought at the end of the play was that the narrative had been like a double helix, twisting from past to present and back again. As the M60 circled the city so the story line seemed to run on without a conclusion, looping back onto itself.

Throughout the play, some characters are playing a role playing game. It is difficult to know what is real and what is just part of the game. It is unclear whether the whole play is in fact one huge game.  Open to interpretation, it strikes one that each viewer will see a different play. Some may take it at face value that there are two twin sisters who are searching for each other, as I did. Others may think that there is only one girl.

In short: a unsettling  play which journeys to a vacuum at the centre of everyday life where unspeakable deeds are ignored  and disregarded.


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