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Magical Beginnings in Little Beaubrook by Bella Brightside #Review #Publication Day

  Happy Publication Day to Bella Brightside for her novel, Magical Beginnings in Little Beaubrook. It is published today by Naughty Beagle Publishing. I also have a great giveaway . Details on how to enter are at the foot of this post. Some places are special enough to heal hearts… Welcome to Little Beaubrook  In a tiny English village hidden away for decades, the mists are parting to reveal a manor which glows gold and tumbledown thatched cottages that have been waiting for the right people to rebuild them.  On moving in day, a diverse group of new neighbours have only two things in common. Their hearts have been broken in some way, and they’ve all signed a contract with some very strange stipulations, including buying one of the cottages for a pound. As Chair of the commonhold association, Albie Curville hopes that by sharing his late wife’s rules for living he can bring these reluctant strangers together to fulfil her dying wish before he runs out of time… and...

Play: The Mighty Walzer by Howard Jacobson adapted by Simon Bent

Performed at the Royal Exchange Theatre, Manchester and directed by Jonathan Humphreys - World Premiere

Set in Manchester in the 1950's, The Mighty Walzer is an adaptation of Howard Jacobson's novel. Semi-autobiographical in nature, we see life in a Jewish family with an adolescent boy. The pace of the play is beautifully handled with Elliot Levey taking the part of Oliver and seamlessly changing from participant to narrator and back, as Oliver looks back at his adolescence. Lacking in social skills and self- absorbed, Oliver is lured out by his father to sample the delights of the ping pong tournaments. Socially gauche, he proves to be a master of the table tennis table and meets kindred spirits.

    I found the play to be very enjoyable and entertaining.  I particularly enjoyed the visual gags, such as the toilet and cistern appearing from the theatre roof, as did the ping pong ball which hung in the air, tantalising. Oliver's parents' relationship was a great source of humour and Tracy-Ann Oberman as Oliver's mother was sharp tongued and sassy. The relationships within the family are complicated and the audience sees them unfolding through Oliver's eyes. His parents' hopes are lodged on him as he navigates his way towards Cambridge University and they are determined that he will make something of himself, no matter how unprepossessing the raw material might be.

    Simon Bent, who adapted the book for the stage, describes how he went about the task on the website artsdesk.com and his article can be read here. I was interested to read that he decided to abridge the original novel and stop after Oliver went off to University, although there is a hint at the end as to where Oliver has ended up. I did feel at the end, that there was more to find out about Oliver's life and  family, certainly not having tired of them in any way. 

In short: an entertaining look at family dynamics. 

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