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The Cottage on Strawberry Sands by Holly Martin #Review

I am delighted to return to Apple Tree Bay for the next in Holly Martin's series, The Cottage on Strawberry Sands . You can read my review of  Sunshine and Secrets at Blackberry Beach   here .   Escape to the golden sands and glittering seas of Apple Hill Bay for a sizzling summer of love. From the bestselling author of Sunshine and Secrets at Blackberry Beach comes this gorgeously romantic tale. They say there’s no place like home and for Roo Clarke this couldn’t be more true. Fourteen years ago she left the sparkling shores of Apple Hill Bay for America, leaving behind her childhood best friend Theo Lucas, and with him a piece of her heart. Nothing has felt right since then, and though she’s certain Theo has long since moved on from their hometown, Roo has high hopes that the exciting new job that’s brought her back here and the quirky beach hut she’ll make her own will fill her heart again. But Theo hasn’t moved on, he’s right where Roo left him in Apple Hill Bay,

Play: The Mighty Walzer by Howard Jacobson adapted by Simon Bent

Performed at the Royal Exchange Theatre, Manchester and directed by Jonathan Humphreys - World Premiere

Set in Manchester in the 1950's, The Mighty Walzer is an adaptation of Howard Jacobson's novel. Semi-autobiographical in nature, we see life in a Jewish family with an adolescent boy. The pace of the play is beautifully handled with Elliot Levey taking the part of Oliver and seamlessly changing from participant to narrator and back, as Oliver looks back at his adolescence. Lacking in social skills and self- absorbed, Oliver is lured out by his father to sample the delights of the ping pong tournaments. Socially gauche, he proves to be a master of the table tennis table and meets kindred spirits.

    I found the play to be very enjoyable and entertaining.  I particularly enjoyed the visual gags, such as the toilet and cistern appearing from the theatre roof, as did the ping pong ball which hung in the air, tantalising. Oliver's parents' relationship was a great source of humour and Tracy-Ann Oberman as Oliver's mother was sharp tongued and sassy. The relationships within the family are complicated and the audience sees them unfolding through Oliver's eyes. His parents' hopes are lodged on him as he navigates his way towards Cambridge University and they are determined that he will make something of himself, no matter how unprepossessing the raw material might be.

    Simon Bent, who adapted the book for the stage, describes how he went about the task on the website artsdesk.com and his article can be read here. I was interested to read that he decided to abridge the original novel and stop after Oliver went off to University, although there is a hint at the end as to where Oliver has ended up. I did feel at the end, that there was more to find out about Oliver's life and  family, certainly not having tired of them in any way. 

In short: an entertaining look at family dynamics. 

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